• Pentatonic And Blues Scales For Seven String Guitar (Basic Scale Guides For Seven String Guitar Book 5)

     

     

     

    Pentatonic and Blues Scales for Seven String Guitar (Basic Scale Guides for Seven String Guitar Book 5)

    by Rob Silver

    rating: ( reviews)

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    This book maps out various Pentatonic and Blues Scales including: THE MINOR PENTATONIC SCALE, THE MAJOR PENTATONIC SCALE, THE MINOR BLUES SCALE, THE MAJOR BLUES SCALE, THE VOODOO BLUES SCALE, THE INDIAN PENTATONIC SCALE, THE DOMINANT PENTATONIC SCALE, and THE DORIAN PENTATONIC SCALE for you on 7 string guitar in standard tuning.
    I’ve also included some bonus material for the shredders out there, 3 note per string pentatonic shapes, four octave 3 note string pentatonic shapes and three octave plus 3 note per string blues scales.
    Each scale or mode is mapped out all over the neck, and in all positions to let you play with any scale in any key anywhere on the guitar neck.
    The scales have been mapped out showing all the relative intervals in each pattern making it much easier for you apply the information to your playing by putting the dots in a harmonic context.

     

     

    Details: rank: price: $10.99 bound: 56 pages publisher: lang: English asin: B06Y8SXH5S isbn: weight: filesize: 15255 KB

     

     

     

     

     

     

     

     

     

     

     

     

     

     

     

     

     

    Pentatonic and Blues Scales for Seven String Guitar (Basic Scale Guides for Seven String Guitar Book 5) Rob Silver

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    Pentatonic and Blues Scales for Seven String Guitar (Basic Scale Guides for Seven String Guitar Book 5)

    41%off Suzuki Violin School: v.3 Shinichi Suzuki 26 Jan 2009 Paperback 7,04 11,95 Save 4,91 Add to basket 41%off Suzuki Violin School: v.3 Shinichi Suzuki 26 Jan 2009 Paperback 7,04 11,95 Save 4,91 Add to basket THE MIXOLYDIAN MODE MAPPED OUT FOR EIGHT STRING GUITARmMaj7 Pentatonic ScaleThe first melodic minor pentatonic youll learn is the mMaj7 pentatonic scale.This scale is used to solo over minor family chords, such as m7, m6, and mMaj7 chords.When doing so, you create tension with the major 7 interval over those chords.Though it can be a bit tense compared to other minor-based pentatonics, the mMaj7 pentatonic scale is essential for any jazz or fusion guitarist.mMaj7 Pentatonic Scale ConstructionThere are two ways to think about the mMaj7 pentatonic scale from an interval and fingering standpoint.The first is to think of this scale as being the melodic minor scale with the 2nd and 6th notes removed.Heres how the interval pattern for both scales compares.Melodic Minor R 2 b3 4 5 6 7mMaj7 Pentatonic R b3 4 5 7As well, you can take any minor pentatonic shape, raise the 7th by one fret, and youve built a mMaj7 pentatonic.Heres how those two scales look on the fretboard.Click to hearmMaj7 pentatonic scale 1As you can hear, these scales each have their own unique sound; though they have related fingerings.To dig into these scales further, put on the Am7 backing track and move between minor and mMaj7 pentatonics in your routine.mMaj7 Pentatonic Scale FingeringsCheck out these two fingerings, as you expand your knowledge of the mMaj7 pentatonic in the practice room.As always, as soon as you can play these shapes from memory, put on the backing track and apply that shape to your solos.Am7 Backing TrackAm7 Backing TrackTo begin, learn the 6th-string shape followed by the 5th string shape.Make sure that you can play both from memory, as well as apply them to the Am7 jam track.Click to hearmMaj7 pentatonic scale 2mMaj7 Pentatonic Scale PatternHeres a pattern that you can use to expand your technique and add to your soloing repertoire.Work this pattern with a metronome as well as with the Am7 backing to get a balanced workout.Click to hearmMaj7 pentatonic scale 3mMaj7 Pentatonic Scale LickIn this example, you learn a ii V I lick where the AmMaj7 pentatonic is used to outline the iim7 chord.Notice that the major 7 interval, G#, is used as a neighbor tone.This way, you bring that note into your playing, but dont emphasize it to avoid tension in your lines.Check this lick out in the given key, and then for an extra challenge, move it to other keys around the fretboard.Click to hearmMaj7 pentatonic scale 4 Maj7#5 Pentatonic ScaleBased on the 3rd mode of melodic minor, the maj7#5 pentatonic is used to solo over major-family chords.The #5 is a tough interval to navigate over maj7 chords, which are usually used as resolution points.Because the #5 creates tension, you have to resolve that tension to properly use this scale in your solos.This can take time, but once you get it down, this new scale adds a cool, secondary color to your maj7 solos.Maj7#5 Pentatonic Scale ConstructionYou can break down the maj7#5 pentatonic scale from two angles.The first is to relate it to Lydian augmented, the 3rd mode of melodic minor.When doing so, you remove the 4th and 7th notes ofLydian augmentedto form the maj7#5 pentatonic.Heres how those two scales compare from an interval perspective.Lydian Augmented R 2 3 #4 #5 6 7Maj7#5 Pentatonic R 2 3 #5 6The second way is to compare it to the major pentatonic shape.By raising the 5th of any major pentatonic shape, you create a maj7#5 pentatonic fingering.Heres how those two scales compare on the fretboard.Click to hearmaj7#5 pentatonic scale 1Maj7#5 Pentatonic Scale FingeringsLearning to play this scale in two positions helps you expand your fretboard knowledge, as well as brings this scale to your solos.Amaj7 Backing TrackAmaj7 Backing TrackHere are two maj7#5 pentatonic scale fingerings that you can learn and use in your guitar solos.This scale sounds great, but it can be a bit awkward to finger.So, take your time with each shape, and try a few fingerings to find the right one for you.Click to hearmaj7#5 pentatonic scale 2Maj7#5 Pentatonic Scale PatternThis four-note pattern is an effective device for building chops and soloing lines in your playing.While the scale fingering may be a bit awkward at first, this pattern sits nicely on the fretboard.This makes it the ideal candidate to work on speed in your practice routine.Work this pattern over both shapes with the metronome at first.Then, take it to the backing track to get a sense of how this pattern fits into your improvising.Click to hearmaj7#5 pentatonic scale 3Maj7#5 Pentatonic Scale LickThis ii V I lick in G uses the maj7#5 pentatonic to bring tension and release to the Imaj7 chord.To apply this scale to tonic chords, you need to resolve the #5 to avoid having it sound like a mistake.This line shows you how to do that.After you can play this lick, put on a ii-V-I backing track and play the lick once, then solo over the chords once.As you solo, add the maj7#5 pentatonic into your lines.Click to hearmaj7#5 pentatonic scale 4 7#11 Pentatonic ScaleIf youve ever studied jazz guitar, you know that Lydian dominant is one of the most popular sounds when soloing over 7th chords.But, did you know that you can build a pentatonic version of this scale?The 7#11 pentatonic is related to Lydian dominant in both interval structure and application.If youre looking to spice up your dominant 7th lines, look no further; this scale is exactly what youwant.7#11 Pentatonic Scale ConstructionThere are two ways to work out the 7#11 pentatonic.The first is to compare it to the Lydian dominant scale.To do this, you remove the 5th and 6th notes to form the 7#11 pentatonic.Heres how that comparison looks between both scales.Lydian Dominant R 2 3 #4 5 6 b77#11 Pentatonic R 2 3 #4 b7The second way is to lower the 5th of the Mixolydian pentatonic scale by one fret.Heres how that comparison looks on the fretboard.Click to hear7#11 pentatonic scale 1Play both scales back to back and solo over the A7 jam track to hear how they compare in your improvisations.7#11 Pentatonic Scale FingeringsTo help you learn to the 7#11 pentatonic scale, here are two shapes to study from a technical and improvisational standpoint.Start with a metronome, and then when comfortable, put on the backing track and jam with each 7#11 pentatonic shape.A7 Backing TrackA7 Backing TrackHere are two fingerings for the 7#11 pentatonic to learn, one from the 5th and one from the 6th string.When working these shapes, make sure to take them to the backing track to help your ears become used to the #11 interval.Click to hear7#11 pentatonic scale 27#11 Pentatonic Scale PatternThis descending pattern helps you play the 7#11 pentatonic around the fretboard, and builds your technique with the same exercise.Work the pattern slowly at first through both fingerings.Then, when ready, put on the A7 backing track and add this pattern to your 7#11 pentatonic lines.Click to hear7#11 pentatonic scale 37#11 Pentatonic Scale LickOne of the most common tunes that uses dominant 7th chords is the 12-bar bluesVOLUME 3- MELODIC MINOR AND ITS MODESI'm with the Band Pamela Des Barres 01 Jan 2001 Paperback unavailable Notify me 11%off Alfred's Basic Piano Prep Course Theory Book, Bk B Willard A Palmer 01 Apr 1993 Paperback 5,89 6,63 Save 0,74 Add to basket 7%off Specimen Aural Tests, Grade 8, with 2 CDs ABRSM 08 Jul 2010 Mixed media product 16,17 17,49 Save 1,32 Add to basket 21 comments: LundtheconquerorJuly 22, 2013 at 4:23 PMFinally, someone does this! Thank you!ReplyDeleteReplies Rob SilverJuly 23, 2013 at 6:18 PMNo worries dude.I hope you found it helpfulThe Melodic Minor Scale and its Modes for Seven String Guitar (Basic Scale Guides for Seven String Guitar Book 3) As 3 and 4 NPS shapes and as various extended range patternsTHE MAJOR SCALE OR IONIAN MODE MAPPED OUT FOR EIGHT STRING GUITAR40%off Suzuki Violin School, Volume 4 Shinichi Suzuki 08 Jun 2009 Sheet music 7,15 11,95 Save 4,80 Add to basket 38%off Writing Better Lyrics Pat Pattison 01 Aug 2010 Paperback 10,46 16,99 Save 6,53 Add to basket 43%off Suzuki Violin School: v.1 Shinichi Suzuki 15 Aug 2007 Paperback 6,75 11,95 Save 5,20 Add to basket JAZZ GUITAR - BEGINNERS JAZZ GUITAR - IMPROVERS JAZZ GUITAR - RESOURCES CONNECT WITH ME Related articles Lydian Dominant Scale Guitar Shapes, Patterns, and Licks Mixolydian Scale Guitar Chords, Shapes, and Licks Locrian Scale Guitar Shapes, Chords, and Licks As 3 and 4 nps and as various extended range patternsTHE PENTATONIC SCALE VOLUME 4- PENTATONIC AND BLUES SCALESINSANE MULTI-OCTAVE Pentatonic and Blues scales as well as traditional 2 NPS patterns17%off Alfred's Basic Adult Piano Course: Lesson Book Level 1 Willard A Palmer 31 Dec 1983 Paperback 9,92 11,99 Save 2,07 Add to basket 2ffeafca65

    Rob Silver

     

    500 plate appearances, looking at the 90th percentile outcome, the 50th percentile outcome and so on."There's no crystal ball"There's no one way to win an NFBCYou need to know how you're going to build your staffUndo Rob Silver Retweeted Harjit Sajjan‏Verified accountHarjitSajjan 4h4 hours ago More Copy link to Tweet Embed Tweet In #Vancouver welcoming 150 new citizens to the Canadian family on Canada's 150th birthdayProduction Title: Supertruckers series 2Company: Lion TelevisionLine Manager: Tony LeeProgramme Length: 60 minutesSeries: 2Genre: Observational Documentary DocusoapSector: Broadcast Television

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